Please use this identifier to cite or link to this item: http://www.repositorio.ufop.br/handle/123456789/10136
Title: Artaud e a poesia sonora : o som como meio e desconstrução da linguagem.
Authors: Dias, Luciana da Costa
Barbosa, Tamira Mantovani Gomes
Issue Date: 2017
Citation: DIAS, L. da C.; BARBOSA, T. M. G.. Artaud e a poesia sonora : o som como meio e desconstrução da linguagem. ODRADEK. Studies in Philosophy of Literature, Aesthetics and New Media Theories, v. 3, no 1-2, p. 159-176, 2017. Disponível em: <http://zetesis.cfs.unipi.it/Rivista/index.php/odradek/article/view/85>. Acesso em: 27 jul. 2018.
Abstract: This article discusses the ideas of deconstruction of language in art proposed by Antonin Artaud in his books The Theatre and Its Double and Language and Life for the formulation of a hybrid art that distances itself from the classical theater executed in Europe of century XIX. The authors Vilém Flusser, Jacques Derrida and Gilles Deleuze are activated in order to potentiate and stimulate the discussion of how Artaud may be the forerunner of a new aesthetic paradigm to new medias.
URI: http://www.repositorio.ufop.br/handle/123456789/10136
ISSN: 24651060
metadata.dc.rights.license: License Creative Commons Odradek. Studies in Philosophy of Literature, Aesthetics and New Media Theories di Zetesis is licensed under a Creative Commons attribution, non-commercial 4.0 International. Fonte o próprio artigo.
Appears in Collections:DEART - Artigos publicados em periódicos

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